This version would have the young woman outwitting the diablo and booting him back to the underworld. (2006), Acrylic on canvas, 30 × 15 in Blazing Chicano Guitars. Casas says when describing his art, "I'm He has long been active in art circles in San Antonio, Texas Yet, the historicity of Indigenous roots is beside the point. Mel Casas, an influential artist and teacher who helped define the Chicano art movement has died after a two-year battle with cancer. The Smithsonian American Art Museum is proud to own paintings by artist, including Humanscape 62, which was featured in our exhibition Our America: The Latino Presence in American Art. Ramón CASAS Y CARBO (1866-1932) (Spain) is an artist born in 1866 The oldest auction result ever registered on the website for an artwork by this artist is a drawing-watercolor sold in 1989, at Phillips , and the most recent auction result is a drawing-watercolor sold in 2020. Twelve textured masks with horns shaped like plantains are pitched on metal stands resembling decapitated heads. He makes a saintly gesture of peace, with one hand raised and the other cradling a kid. of light, color, and scene. Luis Jiménez also explores religion and immigration enforcement in his poignant lithograph, El Buen Pastor/The Good Shepherd (1999). a master's degree in arts in 1958 from the University of the Americas Cecilia Beaux, Edward Hopper, and Paul Sample. If you do not know a great deal about the artist, The young man is positioned within a blazing orange desert backdrop teeming with flowering cactus and yucca plants. She describes her creative process as a spiritual journey centered on prayer and invoking the ancestors. Sometimes power is only shared at the point of a sword. The paintings and their images are not to be reproduced, copied, or used for any other purposes without explicit permission from the Casas Family Trust. artist, but have noteworthy information to share, we would welcome you to send More info please message me! Please note: All biographies will be fully Check out SANTI-IKARI's art on DeviantArt. Mel Casas: The Southwestern Cliches, 1982–1989 was on view at Texas A&M University San Antonio Educational and Cultural Arts Center (101 S Santa Rosa Avenue, San Antonio) June 11–September 27. Garcia contributed a small but charming painting of la mano podoroso, or, the hand of wonder. If interested in more information on artwork by Mel Casas please submit your request here. Related Materials. If you do not know a great deal about the Photo courtesy Mel Casas Family Trust Artists Respond at The Smithsonian The curator of twentieth-century art at the Smithsonian American Art Museum Melissa Ho, who organized the exhibition, engaged great efforts to analyze and properly present the complexity of the former American society , as well as to connect it to the contemporary moment. Diversifying the Superhero Canon: From Mel Casas to Renée Cox and the Department of Illegal Superheroes August 26, 2019 Enrique Chagoya’s Superheroes and Super Villains David Zamora Casa’s visually complex painting Until Death Do Us Part (1985) is the only piece that explicitly addresses LGTBQ themes. Each of the crypts also holds a remedy to counteract the evil contained within it. Search the world's information, including webpages, images, videos and more. If you feel you have worthwhile information you would like to contribute, the following means of submission is the most efficient. This resource has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor. dealing with the power of the cinema, the power of advertising, as in This is how many of the biographies it also to email@example.com. Many of the works in this wing make splendid use of Mesoamerican symbolism and iconography. Others — including Jesse Treviño, Rolando Briseño … There are many strong biographies that you may refer to on our website, such as 22 Comments. He attended the public school system and graduated from Texas Western College with a bachelor's degree in arts in 1956. answer as many of the following questions as you can. Two paintings by Vincent Valdez, never before on view, recount the story of a young woman who encounters a handsome stranger at a dance who turns out to be the devil. delete any hype or advertising verbiage such as “most famous,” Artwork for Everyone. Artistic responses to the apocalypse enclose the exhibition like a ring of fire. LLAGRIMES DE RA I AURARIA. Mel Casas is one of San Antonio's most influential artists, yet also among the most overlooked. Discover (and save!) Buy Maraca Maraca by Mel Prest 2020: Painting - From 30.4cm (H) x 30.4cm (W) x 5cm (D) / 12" (H) x 12" (W) x 2" (D). Mel Casas is known for Mod figure-genre, non objective painting. For Premier Dealers and museums already Pages in category "American artists of Mexican descent" The following 139 pages are in this category, out of 139 total. The following oral history transcript is the result of a tape-recorded interview with Mel Casas on August 14 &16, 1996. Ruben Cordova’s heady themes and provocative collection of artworks invigorate El Centro de Artes, while showcasing the abundant talent and innovation of Mexican and Chicana/o/x artists, many of them who call Texas home. firstname.lastname@example.org. Dr. Cordova provides ample introductions to each thematic section and a clear narrative throughline for the exhibition. “If Americana was ‘sensed’ through blue eyes, now ‘Brown Vision’ is demanding equal views—polychrome instead of monochrome,” Tejano artist Mel Casas wrote in a 1971 manifesto. The central image is a bride and groom with divided half-skeletal faces framed by two pink doves that the artist describes as “homosexual couples in love.” The artwork represents themes of homophobia, the AIDS crisis, and the pretenses of heteronormative marriage. The sequence of prints curated from the era illustrates the evolution of the stylistic calavera with the enlarged head and teeth. The union of visual art to music — the heart of the Chicano lifestyle — is the concept behind “Blazing Chicano Guitars,” a new original art series featuring one-of-a-kind guitars embellished with artwork by artists in Cheech Marin’s renowned Chicano art collection. to supplement what you have provided. But Rubio also captures the purpose of purification at the heart world-ending destruction. Chicano printmaker Juan R. Fuentes uses similar artistic techniques to comment on immigration. This painting, which comes from a larger series of works called “Humanscapes,” were actually inspired by Casas’ experience seeing a drive-in movie screen and seeing these huge images of people and things. It Austin, Tex. SANTI-IKARI. (unusable) wording: 1. Born in El Paso, Texas, he earned a BA from the University of Texas, El He was 85. Biographical Background. email@example.com. Google has many special features to help you find exactly what you're looking for. Please include in your biography answers to as The Day of the Dead in Art, curated by independent art historian, Dr. Ruben C. Cordova, and presented by the City of San Antonio Department of Arts & Culture at Centro de Artes, opened on October 24, 2019, and closed on January 19. But one discovery of a naturally occurring amethyst geode doesn’t need any help in expressing love—it’s already shaped like a heart! Visualizza i profili delle persone di nome Mel Casas. The Mel Casas papers were donated by Mel Casas in 1981 and microfilmed as part of the Archives of American Art's Texas project. Mel Casas (Born 1929) is active/lives in Texas. As a public health precaution due to COVID-19, all Smithsonian museums are closed temporarily. Iscriviti a Facebook per connetterti con Mel Casas e altre persone che potresti conoscere. This pop art style-blend illustrates the Chicano experience to American culture and creates a … A cactus sprouts from an ornately painted scull, which is crawling with creatures, living and dead. : The Museum, ©1988 Biography Mel Casas "Melesio Casas was born in El Paso, Texas, in 1929. Casas is best known for pointed visual statements that question cultural stereotypes and portrayals of Mexican Americans in the media. That's all a polemic. This painting, which comes from a larger series of works called “Humanscapes,” were actually inspired by Casas’ experience seeing a drive-in movie screen and seeing these huge images of people and things. Kristel Orta-Puente’s photograph, Kan Xib Chacc Mask of Kabah: The Path to the Puente (2019), offers a moving glimpse into Chicana spiritual politics and reclamations of Indigeneity. SANTI-IKARI. The dead stares back at the living in a soulful embrace of mutual recognition, which gives the artwork its psychological force and staying power. Additional papers were donated by Casas in 1999. mel12 - painting artwork - jigsaw puzzle album. Most of the artists included in the show’s “Day of the Dead in the U.S.” section use skeletal figures and death imagery to critique modern statecraft such as immigration policy, settler colonialism, labor exploitation, capitalism, and racism. Blending the sacred and the secular, La Mano/The Hand (2009) is a religious meditation on immigration and how the mano is both a symbol of the deportable worker reduced to the laboring hand, and the faith that sustains a human being. We welcome your involvement! Through his skillful brushwork, and Dr. Aimee Villarreal is an anthropologist and Assistant Professor of Comparative Mexican American Studies at Our Lady of the Lake University in San Antonio, Texas. And the papers of the late San Antonio artists Mel Casas and Porfirio Salinas also are included. Amazing Heart-Shaped Amethyst Geode Discovered by Miners in Uruguay. MEL Z. SANTI-IKARI. Mel Casas: Artist as Cultural Adjuster is a new book by Nancy Kelker that showcases the work of American Pop and Chicano Artist Mel Casas. Mel Casas’ 1969 acrylic, Humanscape #57 (right), a scientifically pop take on the state’s bluebonnet art, is neighbors with Julian Onderdonk’s 1912 oil painting Bluebonnet Field (left). Casas seems to project the future/present of the tradition that Enrique Martinez envisions in At the Altar (2006). Artists who picked up the bones that Posada may have left unpicked have given the calavera genre a sharp political edge. If interested in more information on artwork by Mel Casas please submit your request here. The circular exhibit hall brings the visitor back to the foyer where a corollary to Rubio’s horsemen awaits. Mel Casas: Artist as Cultural Adjuster. a dealer or museum not currently registered, please Enviar. your own Pins on Pinterest Artisans such as Manuel Manilla and other anonymous printmakers who worked alongside Posada in Antonio Vanegas Arroyo’s print shop in Mexico City (1852-1917) contributed to the development of the calavera aesthetic. Posada’s photo-relief etching on salmon-colored paper of Francisco Madero, who ran against Porfirio Díaz in 1910, casts the revolutionary as a drunken peasant. However, Puerto Rican artist Martin C. Rodriguez’s installation, Righteous Indignation (2018-19), is an outlier. Mel Moore Artwork. The artwork in this section is more invested in exploring Chicana/o/x Indignities and the legacies of colonial violence than questions of authenticity. Other persons, seeing But the “halo” that illuminates this secular saint’s head is not an adoration, but rather the telescopic lens of a rifle, with his face in the crosshairs. Mel Casas: Artist as Cultural Adjuster. Cordova argues (with other scholars) that the political nature of Posada’s art is overstated. Available for sale from Ruiz-Healy Art, Mel Casas, Crabby (1991), Acrylic on canvas, 24 × 24 in 238 Favourites. Art. many of the following questions as possible: Dealer Note: Please enter books, periodicals and museum Later, Casas graduated with Art at San Antonio College. SANTI-IKARI. Save my name, email, and website in this browser for the next time I comment. Creating biographies or improving upon them is a work in progress, and we welcome information from our knowledgeable viewers. In the United States of La Muerte (2004), Luis Valderas inscribes death and sacrifice into a ghostly flag with stripes that ripple with projectile skulls resembling a Mexica tzompantli, or stone skull rack carvings. The land of the dead is a land of flowers and abundant food. Somos Parte/We are Part (2006) is a scene from a defunct American dream. This remarkable exhibition explores Day of the Dead as a social art practice through over 100 art objects made by more than 50 artists, many from Texas and most of whom are Mexican or Chicana/o. Just the facts, please. 630479396 ¡Tus datos se enviaron con éxito! Share your thoughts, experiences and the tales behind the art. Join Facebook to connect with Mel Casas and others you may know. E. CARMEN RAMOS: This is Mel Casas’ “Humanscape 62,” which is a painting that he executed in 1970. Casas’ Humanscape 62 crystallizes many of the recurring concerns featured in Chicano art of the late 1960s and 1970s. ... Good to see another Casas out there drawing the animu and mangoes. Biography Mel Casas "Melesio Casas was born in El Paso, Texas, in 1929. By the mid 1970s several Chicano leaders in the art community including art professor Mel Casas and Cesar Martinez, a graduate of Texas A&M Kingsville, were active in promoting the works of San Antonio artists who identified as Mexican American or Chicano. Cordova’s reading of this particular image and others from the same period suggests that the skeletal caricatures that Posada and Manilla made were politically ambiguous. 210 100-handmade-font-b-famous-b-font-font-b-painting-b-font-reprodu 209 GUIDO Reni The-Boy-Bacchus 208 GEORGE DUNLOP LESLIE Alice In Wonderland 210 Fr. firstname.lastname@example.org. If you are T.V.". Please introduce your information as follows: "The following biographical In the section titled “The Mesoamerican Culture an Attitudes Towards Death,” Cordova leads the description with a provocative statement: “The amount of indigenous content in Day of the Dead is usually greatly overestimated.” He notes that indigenous belief systems are radically different from Catholic ones. Mexican artist Artemio Rodriguez is one of the most meticulous interpreters of Posada’s craft using carved woodcuts to create hand-printed black and white images. Original Artwork Secure Payment I/we have numerous spectacular works by Doe registered with askART your best approach is to log in, choose the artist (once Se Vende (2013) depicts a skeletal pushcart vendor selling “eye scream,” witnessing an ICE agent detaining a young man wearing a Mexica headdress. Two large paintings from Mel Casa’s Humanscape series comment on Southwestern clichés, and the commodification of Day of the Dead is especially prescient. Our editors are trained to Mel Casas $ (Born 1929) Mod figure-genre, non objective painting - Texas Melesio Casas * (Born 1929) *See Mel Casas - Texas ... Mixed Media Artwork - Scotland Abe Cassidy Jr (Born 1942) Sculpture - North Carolina James Cassie $$$ (1819 - 1879) Painting - United Kingdom The apocalypse captivates the imagination, but it is not usually associated with Día de Los Muertos traditions, which center on ancestors, remembrance, impermanence, and the duality of existence. he/she is in your list of artists), and submit your biography there. A more thrilling feminist retelling of this familiar folktale is long overdue. We attended the opening of Mel Casas: The Southwest Cliches 1982-1989. Alfin the Explorer. Casas (1929-2014) was a revered artist, theoretician, and teacher. His brilliant canvases are full of feeling, where Find more works of this artist at Wikiart.org – best visual art database. Perhaps we can commission San Antonio native, Adriana Garcia, to paint a Chicana feminist rendition. The Vietnam War, a divisive and controversial conflict, had a profound impact on the art of its time. Mel Casas è su Facebook. The thick chain that hangs in the background refers to the transatlantic slave trade. It begins with images that reference Christian prophesies of the end times and circles back to this theme with artwork representing contemporary threats to humanity, such as climate change, mass shootings, and political and moral corruption. What NOT to send: 1 Crow, Cecille, 1914-2001 1 Dallas Museum of Fine Arts 1 E. CARMEN RAMOS: This is Mel Casas’ “Humanscape 62,” which is a painting that he executed in 1970. 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